148+ Alain Resnais Quotes From the Mind of a Genius (Images)

Alain Resnais, a cinematic visionary of our time, left an indelible mark on the world of filmmaking through his remarkable body of work.

As we delve into the profound world of cinema, exploring the artistry of this acclaimed French director, we find ourselves drawn to the wisdom encapsulated in Alain Resnais’ quotes.

These pearls of insight provide a unique window into his creative mind and the intricacies of storytelling.

Join us on a journey through the eloquent and thought-provoking Alain Resnais quotes, where his words serve as a testament to the enduring power of cinema and storytelling.

Alain Resnais Quotes

  • I never thought of turning into a chief. At the point when I was twelve, the entry from quiet films to talkies affected me – I, despite everything, watch quiet movies 
  • I saw some portion of The Singing Detective on TV in New York. I stated, Something is going on here 
  • I am rarely determined. Each film I’ve made has been a task 
  • I’d even say it’s a practical film since that is the manner in which it occurs in our minds; that was the way to go 

  • Karma, I never hoped to make troublesome motion pictures intentionally. You cause the movies you to can make

  • It was disgusting, yet it was the best way to impart 
  • Goodness, indeed, that never transpired in my life previously. It was a dangerous film, and I cautioned the maker. 
  • Since we had minimal expenditure and barely any archives, we didn’t have anything. 
  • So I utilized conventional strategies to make the film increasingly insightful and genuine. 
  • There was a haziness, a despairing, that individuals experienced difficulty tolerating. Possibly now, it would work better. 
  • The present and the past exist together, yet the past shouldn’t be in a flashback. 
  • That is anything but difficult to reply: I never had any unique hunger for filmmaking, yet you need to bring home the bacon, and it is inexplicable to gain a living working in film.
  • We must die with a sharp, abrupt coronary failure. My dad was fortunate like that. One day he went chasing. He had a decent day; he killed a great deal of the game, and he was with his closest companions. 
  • At the point when I was twelve, the entry from quiet films to talkies affected me-I despite everything, watch quiet movies. I don’t imagine that there is any such thing as an old film; you don’t state, ‘I read an old book by Flaubert,’ or ‘I saw an old play by Moliere
  • At the point when I was 12, I made some little movies with my companions. I attempted to make criminal movies like Fantomas, yet I was disillusioned with them. They weren’t startling in any way. I’m certain they’d be clever at this point 
  • For me, a troublesome beginning response happens on a regular basis. For reasons unknown, the additional time that passes after the film opens, the better the audits become 
  • A watcher rather than a movie producer may see a film in an unexpected way. Be that as it may, I’m incredibly OK with my style. 
  • My movies appear to be better comprehended and better gotten by the month-to-month productions. On TV, the principal responses are generally troublesome. 
  • I can’t perceive any motivation behind why a film shouldn’t be adapted and outwardly delightful. I don’t think a wonderful set is pompous.
  • There can’t be any correspondence aside from through structure. In the event that there is no structure, you can’t make feelings in the observer.
     
  • They got the thought. Throughout everyday life, we infrequently recollect an entire tune; in Potter, there’s frequently a brutal differentiation between the circumstance and the melody 
  • That is anything but difficult to reply: I never had any uncommon craving for filmmaking, yet you need to bring home the bacon and it is phenomenal to acquire a living working in film 
  • It’s difficult, either on the grounds that the individuals onscreen have kicked the bucket, or on the grounds that I don’t think the course is acceptable. There’s continually something 
  • Just because, I utilized a blend of high contrast with shading. In the altering room, I asked myself, What are you doing controlling cadavers along these lines? 
  • I’d even say it’s a sensible film since that is the manner in which it occurs in our minds; that was the way to go
  • They state that an executive consistently makes a similar film. I attempt to make, as François Truffaut stated, the following film contrary to the one that preceded. I don’t know whether I succeed. 
  • I concur with the auteur hypothesis, yet I don’t see myself as an auteur. I’m a greater amount of a craftsman, a specialist 

– It is phenomenal to win a living working in film

Alain Resnais Sayings

“A film is not a dream. It is a way of seeing.”

“Cinema is an old whore, like circus and variety, who knows how to give many kinds of pleasure.”

“I like the very strange, complex, dense, stylized, and shapeless.”

“I think in a way, my films are perhaps about people who have some sort of connection to history.”

“I don’t believe in an imitative form. I don’t believe in the notion of style.”

“A movie is a window on the world. My films are not about a theme; they are constructed like a piece of music.”

“I like to make films because I like to go into another world.”

“I hate narrative, I don’t believe in narrative.”

“My films, strangely enough, are perhaps more appreciated in Europe.”

“The heart of film is a montage.”

“I don’t like the idea of tradition. I don’t like the idea of influence. I don’t like the idea of style.”

“For me, a film should have no beginning and no end. It’s a piece of time.”

“Memory is the most important element in cinema.”

“The director is the only one who knows what the film is about.”

“I like films that make you not be able to judge. I like to see films that take you to the limits of what is permitted, or forbidden.”

“Cinema is a language. It can say things—big things.”

“I try to escape from time. I can only escape from it in the world of dreams and tales.”

“My films are subjective rather than objective.”

“What I find beautiful in a film is that it’s like a mathematical formula where the smallest change in a variable can make a great difference.”

“Cinema is like a labyrinth. It’s a great mirror of time.”

“Every film I make is a kind of request for conversation.”

“I would like every man to take responsibility for his life, in whatever way he can.”

“What interests me in making a film is a transformation.”

“I don’t like to do the same film again and again. I like to do something different.”

“The cinema substitutes for our gaze a world more in harmony with our desires.”

“I’ve always been in awe of the history of art and its beauty.”

“I believe there is something fascinating in taking the old and making it new.”

“Film is a medium that allows you to look at the world in a different way.”

“I have a suspicion that for me, cinema is just a way of not going mad.”

“There are many kinds of freedom, and the kind that is most precious you will not hear much talked about in the great outside world of winning and achieving.”

“A film should never be an instruction manual; it should always be an adventure.”

“I don’t care much about the plot. I don’t care much about the theme.”

“Cinema is a language that exists in the present.”

“The act of filming is a way of creating.”

“The cinema is very much a matter of accidents.”

“Film is a form of poetry. It’s not an interpretation of a story.”

“I always try to present things in a new way, to offer a different perspective.”

“I love cinema because it’s an art of time.”

“The camera is a machine that tells you the truth about your own feelings.”

“The world is so strange that anything may happen. There is no need to deceive for there is so much more to discover.”

alain resnais Quotes

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